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About the Project

It is little known that among the survivors of the nuclear attacks on Japan were a small number of Australians. It is also barely understood that Australia yielded its land and compromised the future of its people to allow British nuclear colonialism—in the form of nuclear weapons testing at Maralinga, Emu Field, and the Monte Bello Islands.

As the Cold War ended, greater sections of Australian society have since been implicated in our nuclear future—which is manifest in the legacies of uranium mining, nuclear testing and nuclear wastes, and signified in new public debates about the nuclear energy option, the role of extended nuclear deterrence in Australia’s defence, the expansion of uranium exports, and proposals about the handling of national and foreign radioactive wastes. Since the time of the British nuclear tests, in the 1950s and 60s, Australian artists have responded to Australia’s nuclear politics and history through the mediums of film, song, digital arts, paintings, sculptures, theatre, photography, poetry, literature, and many others.

Sponsors

Australian Federal Government Australian Postgraduate Award [2011, 2013 and 2015-18]

Australia Awards Endeavour Research Fellowship [2014]

Killam Postdoctoral Research Fellowship, The University of British Columbia [2020-22]

Principal Investigator

N.A.J. Taylor

Project Period

2011-present

External Grants

$259,000